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I don’t even know where to begin. I truly don’t.

 

To the millionth degree, this is my favorite comedy movie ever. And it will stand to be that very title for the remainder that I’m alive.


I’ve ALWAYS wanted this back in theaters. Like, forever. Stupid easy money in my eyes. The fact my theater auditorium was packed just in this afternoon today, for that ol thing, speaks to this being something everyone wanted again for a long, lonnnnggggg time... and we got it back.


Back in ‘99, I got, and would get my ass handed to me for South Park on TV at its most inappropriate times.

Now? I saw parents around my age (although these were real flaming millennials, so to speak) ...... bringing in their presumed toddlers/young elementary school kids; dressed as the four boys of South Park. The little shits went through the entire movie screening without shitting or crying incessantly, and I applaud them for that. Still baffled, but it was a great time.

 


Leonard Maltin hosted! He was still nothing but jolly about how easy he got off on that Mecha Streisand episode after all these years. 


He was an old crone even back then, so for him to tell his own personalized story about him, his wife & his daughter loving the film and absolutely adoring the songs really touched my heart.

He gave a very nice shoutout to Isaac Hayes. A real standing ovation, actually. Even when Chef sadly didn’t have a large abundance of scenes in BLU compared to what he was usually getting during Mania days.

 


Technically, I attended the Sing-a-long screening, except the room was kind of too embarrassed to be singing. We just settled with laughing like idiots at the same goddamn jokes we’ve all seen a million times at our homes.

I had a flask of tequila with me and wasn’t about to make myself look like too much of a jackass.




This entire month for me has been hell. Just nonstop anxiety, and I’m usually not one to associate myself with such a term.

I’ve had a string of issues in addition to being racially targeted by the same fuckwit cop in my area. It hasn’t been a too joyous heatwave, which is why I was delighted to see this at the right place and right time.

The movie in theaters? It goes by as fast as the in-universe Asses of Fire.


You’re just having so much fun no matter how often or how long it’s been, and then it’s just over.


As corny as this is to say, this was my fucking Lion King. Nostalgia will do that in.
 


Maltin said on the host segment that BLU’s as timeless and reverent as the show to this day, and I’ll debate that to an extent.

This film is a threshold to when we as people still had a chance. Whether that was the honest goal or not.




The thesis of Bigger, Longer & Uncut was South Park excelling above and beyond to defend its own existence.

There’s a major conversation to be had about the censorship, threat of the Christian mob, meaningless war +  genocide, all things relevant; and then you have the other side of it where all Trey and Matt felt like they were doing at the time was mere fart jokes.

They could never be as modest nor humble as they were here ever again. They’re too engulfed in their ego, which is part of why the product stopped being good. 



But yes. This will be the one movie I’ll cherish to the grave.

As far as the supposed 4K... I couldn’t tell that much of a difference. Screening as originally intended was majestic enough.

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I’m revisiting South Park Mania days yet again in preparation for the tickets I purchased to see South Park BLU (yes, I know) return to theaters.
 


Seasons 1-3 are already episodes I’ve seen a lethal amount of times, but the pilot most of all.

** The first few were already drilled in my head before season one could even continue airing. **

 


This pilot of South Park is a fairly special case.

I’d probably put Spirit of Xmas: Jesus vs Santa well before it, but that doesn’t really change this being one of my top favorite South Parks; let alone this being arguably one of the most significant shows they’ve ever done. And not for reasons you’d suspect.

 

For much of the big comedy shows out there, a lot of the pilots are something you feel “stand the time” no matter how clanky they are. You recognize them for brewing the fabric of the entire show itself.
 


Cartman Gets an Anal Probe doesn’t really speak for whatever South Park is now.

I’d take it a step further and say the pilot doesn’t even fully represent the rest of that first season.

It co-created the big phenomenon, and added a bunch of pieces that the show may or may not go by anymore. But it’s really still its own separate creative lane.

 

Three guys spent an entire summer stop motion animating something which was at the time too hot for most TV and would get them laughed/thrown out of executive rooms.

Now you got two aged billionaires with a wide string of animators that can only pump out a few cruddy shows per year for streaming. Despite how proud they were previously of consistently pumping shows out weekly. And you’ve already seen and heard everything so nothing’s impressive anymore.


Nostalgia glasses off, pilot’s easily far and void from the most dignified TV imaginable. It was Terrance and Phillip before they created Terrance and Phillip.

Just think about that. As far back as the 6th and last episode from their VERY FIRST ORDER, the show had a little in-universe thing just to shit on their debut. Metaphorical and literal in context.


I’m certain I either caught the ‘97 premiere or one of the other showings as they reran it a lot, but I recall tuning in right at the part where Crabtree’s screaming at Kyle on the bus.

By today’s standards, all boundaries are off ten times over. There’s nothing you can really do to (tastefully?) offend anymore, even when you try. Everything’s lazy and shitty for both real edgelords and artificial edgelords.

Hits a little different for me since I was about the boys’ age when I first started watching the show, but the pilot still isn’t very tame at all.

Within the first few minutes of the series, small school children are calling each other dildos, and a signature gag of “KICK THE BABY” is introduced. The latter part being on the edge of good masochist humor.



The creators forcing themselves to repress and forget Isaac Hayes’ legacy on this show is still needlessly tragic.

A black musician was able to make his way back in the spotlight just for South Park existing. Played a main character!

There are two versions of this pilot. The unaired 28 minute pilot, and the altered/televised 21 minute pilot. Chef’s role doesn’t change in either. Both sets have him being the cool friend and helping the boys. 


The main thing the televised version really butchered with Anal Probe was having to remove the entire playground + nurse office scenes. The playground one especially, as removing it really killed part of the intended Peanuts vibe. Pip’s a character I actually can’t strongly defend, but I’ll say what they had for the unaired ep was the funniest goddamn material to ever involve him in.

The unaired version made it so Kenny was brought back at the very end, and I guess I’m iffed by how the finalized ep got rid of that too. Instead, you get the ending note that is Scott Baio giving Eric pinkeye.

 

Mr. Hat’s rant, along with Cartman yelling at Kitty to get away from his pot pie are both practically mandatory mentions.

A thing mildly off the radar but not really is how Stan & Kyle’s voices swap periodically throughout the episode, as they’re thought to be that interchangeable. I really enjoy the simplicity. South Park’s still a relatively modern cartoon, so I guess even with this show partially shaping a genre undesired by most, this episode in some way is its own window in time with how cartoons used to be made. Very muddily with some things you figure out as you go along producing it. 


You can find this to be a crappy piece of animation, and it’s still one of the most raw TV pilots ever made.
 


Critics complaining about fart jokes galore is kinda valid but also underselling a lot of the naturally timeless derpy humor exhibited in just the premiere. Barbrady doesn't even have his catchphrase yet, he’s just a bumbling dumbass who’s yelling and chasing herds of poorly animated cattle. And I’d want nothing less.

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